The Old School Welcomes Hester Cox

The Old School is extremely pleased to welcome in the work of Horton-in-Ribblesdale artist and print maker Hester Cox.

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Silent Night, Hester Cox

Hester’s work is inspired by and reflects the natural rhythms of the natural world that  that surrounds her home in the Yorkshire Dales and that she passes whilst out on the tops, fell running.

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Where the Curlew Cries, Hester Cox
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Flying Home to Roost, Hester Cox

Hester’s collagraphs are a wonderful addition to our growing portfolio of print makers at the Old School and I’m sure you’ll feel the same.

More about Hester below.

Richard & Polly

Artist Statement

“My printmaking is informed by my surroundings and wherever I am I seek out evidence of the natural world that is particular to that environment. I have lived in rural places most of my working life and I am fascinated by the rhythms and cycles that occur within nature. Whilst an idea may be sparked by the written word, it is invariably my physical experience of a place that inspires new work.

As a fell runner, my excursions often take me to wilder less visited locations in all weathers. The physicality of running combined with the solitude and necessary awareness of my environment creates a connection with the landscape that lasts long after I have returned to the studio. Revisiting the same areas provides me with the opportunity to catch a glimpse of some of the more elusive wildlife that inhabits them. It is these chance encounters that I find most exciting and that will often be translated into print. I carry a camera to record details and sketch and write notes to distil my ideas.”

Piers Browne Illustrated, 1 Sept – 30 Sept

Piers will be at the Old School on Saturday and Sunday, from 1:30pm to 3pm, for the final weekend of his exhibition.DSC05969

Piers Browne Illustrated is the first (and perhaps last) exhibition that brings together a specially curated collection of etchings from all of Piers books into a single show. As part of the exhibition Piers will be at The Old School Muker on the afternoon of Sunday 2ndSeptember to discuss his work and inspiration.

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Each print is lovingly created by hand, inked by hand, rolled through the press by hand and signed to say genuine.  With each indivually printed by Piers himself, each is a unique work of art.

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Piers Browne trained at London’s Royal Academy Schools in the early 1970’s before settling in Wensleydale in 1975 to become a professional artists and printmaker.  He has exhibited at the annual Royal Academy Summer Show multiple times and held one man shows from “Malibu to Munster, via Manchester and Reykjavik”. Piers has published eight books illustrated by his etchings and oils, including Glorious Trees of Great Britain, with a foreword by HRH, Prince Charles, the culmination of over 15 years work containing 167 full-colour etchings.

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Piers continues to be inspired by, and concerned for, the natural world. In his own words:  “Overwhelmingly the desire to capture the beauty of Nature continues to drive me on. I am still a depicter of the rural scene, a sort of conservator of the beauty of light and form. I have compensated for my indulgence by donating money and books to conservation groups, but need to do more as this world crumbles away in heat and flood from ‘our’ indulgence in polluting it“.

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The Old School Welcomes Carol Nunan

The Old School is proud to welcome the wonderful printmaking of Carol Nunan.  Carol’s work is rooted in the landscape. Her inspiration comes from cultivated and wild flowers, iconic castles, landmarks and archeological history.

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Carol works primarily with monotypes and collagraphs. Printed by hand each print is unique. Her fascination lies in experimenting with printmaking media and alternative colour palettes to reflect the changing landscape. Her use of colour and quest to constantly reinvent her practice owes much to the diverse cultural influences of her African and Irish upbringing.

With an aim to bring more printmaking into the Old School Gallery Carol’s work was an immediate and obvious candidate, reflective as it is of the landscape and wildlife that surrounds our gallery and much of the North of England. Seeing it for real at this year’s Printfest, and meeting Carol and Chris, simply confirmed our suspicions, and it’s wonderful to now have the work on display.

 

 

 

Rebecca Vincent Etchings, A Print Makers Art.

A few months ago we introduced Rebecca’s prints into the gallery and the reaction from our customers has been wonderful. Now we have three original etchings on display: Silver Birch Autumn Gold (above and detail below), to me reminiscent of Gustav Klimt, Country Reflections and Safely Gathered in.

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Silver Birch Autumn Gold Detail | Rebecca Vincent
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Country Reflections, Silver Birch Autumn Gold, Safely Gathered In| Rebecca Vincent

Not only are Rebecca’s etchings wonderfully vibrant depictions of the countryside, they’re also superb examples of a print making at its very best, and we’re extremely proud to be able to showcase them at the Old School.

The Old School Welcomes Rebecca Vincent

The Old School Muker is pleased to welcome the work of printmaker Rebecca Vincent into the Gallery.

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In our quest to add printmakers to our portfolio we’ve visited many exhibitions and events, and Rebecca’s work has really stood out. We love its vibrancy, patterns and textures, and the work adds colour and originality to our gallery. DSC05314-3DSC05314-4

In the short time we’ve shown Rebecca’s giclee prints they’ve already proved to be extremely popular, and we plan to showcase limited edition prints of her etchings in the very near future. Watch this space!

 

Yorkshire Coast & Sea, Denise Burden

We’re really pleased to announce a late entry to our Yorkshire Coast & Sea exhibition, in the form of the hand-printed linocuts and collages of Denise Burden.

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Denise originally hales from Bradford where she studied art before gaining a First Class (Hons) Degree from the Norwich School of Art. Luckily for us Denise now lives in the neighbouring dale of Wensleydale, taking inspiration from the stunning landscape around her.

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Whether in colour, or simple black and white, Denise’s hand-printed linocuts are wonderful, timeless examples of this form of printmaking, to me reminiscent of the advertising posters of the 1920’s and 1930’s, the golden age of railway and airline travel.

As a local artist we plan to showcase Denise’s landscapes in our gallery. More on this soon …