Autumn in Nidderdale – With the Sony RX1rII

I’ve be far too busy lately and nearly missed this year’s Autumn colours, but today, travelling through the Dales, we found a perfect view of Nidderdale in the Yorkshire Dales National Park.  When the scene looks this good photography becomes simple 🙂

_dsc1303-pano
Nidderdale, Yorkshire Dales | Sony RX1rII

Shooting Notes

3 shot panorama, using the Sony RX1rII at iso400 & f9, stitched & post processed in Lightroom.

Putting in the Miles

Over the last few weeks and months I’ve been putting in the miles in the Great British Northern countryside, in preparation for next month’s Everest Base Camp trek, accompanied by Polly, my kids Sam & Harry, my old friend Brad, and of course Morgan the dog.

Though the primary purpose was fitness and weight loss, I couldn’t resist taking the camera. The following images range across Cumbria’s Lake District, the Yorkshire Dales, the North York Moors, and Yorkshire’s East Coast on the Cleveland Way.

I can’t say I’ve shed many pounds, but I’ve enjoyed every moment, except perhaps the popping the massive blister at the end of the three peaks 🙂

Richard

Hole of Horcum, North York Moors

Simon’s Seat From Bolton Abbey, Yorkshire Dales

Great End from Seathwaite, Lake District

Ingleborough and Whernside on the 3 Peaks Walk, Yorkshire Dales

Cleveland Way, Yorkshire Coastline

North York Moors

 

Light Night, Leeds 2016 with the RX1rII

Leeds Light Night provided a great excuse to take the camera out after dark and capture some unusual images of usual scenes. Handheld @iso1600 to freeze the motion. Attached to tripod with a 4 second exposure to capture motion. Post processed in Lightroom & Analog Efex Pro 2 to add an extra dimension.

_dsc1203-edit-edit
LightWaterDarkSky@LeedsDock | Sony RX1rII
_dsc1185
LightWaterDarkSky@LeedsDock | Sony RX1rII

 

_dsc1190
LightWaterDarkSky@LeedsDock | Sony RX1rII
_dsc1164
Leeds Civic Hall | Sony RX1rII
_dsc1165-edit
The Black Prince, Leeds City Square | Sony RX1rII
_dsc1182-edit-edit
LightWaterDarkNight@LeedsDock | Sony RX1rII
_dsc1153-edit
Leeds Civic Hall | Sony RX1rII

An Old Friend – With the D800 & Sony RX1rII

3 years ago, on the first leg of our 90 mile walk along the Dales Way, I came across this sad old tractor, and couldn’t resist taking its portrait with my Nikon D800.

rjw_1614
Old Dales Tractor | D800 & 50mm 1.4G

Today, in training for a longer walk, a trek to Everest Base Camp, I came across it once again, slightly worst for wear, and a few more cobwebs, but still standing strong, and snapped it with Sony RX1rII.

_dsc1058
Old Dales Tractor | Sony RX1rII
rjw_1612
Old Dales Tractor | D800 & 50mm 1.4G
_dsc1060
Old Dales Tractor | Sony RX1rII

 

Soul Machine

On a tramp around our local woods we happened upon a farm machinery graveyard brim full of mechanical contraptions of all shapes and sizes, and for what purpose I have no clue, and in one corner, overgrown with weeds and ivy, this old wreck of a flatbed lorry, with more soul and pathos than the Mona Lisa. Surely some mechanical miracle worker should rescue it before it finally succumbs to its fate.

_DSC1048
Soul Machine | Sony RX1rII

Shooting Notes 

Sony RX1rII, hand held at ISO 100. F6.3.

Leeds Artsmix Diary – “A Boat & A House”

“I don’t get it” snorted the women passing our Artsmix stall last Saturday. “It’s a boat and a house, I don’t get it!”. “It’s art” I said. “It’s autistic” she replied. “I don’t get it” she repeated to her friends shaking her head as she walked off, “it’s just a boat and a house” and that, I suppose, was me told.

_DSC0844
Isle of Harris | Sony RX1rII

But I love this image. I love the colours and contrast in the stone. I love the symmetry of the picture juxtaposed with the irregularity of the stonework. I love the tones in the boat. I  love the sense of age and decay and mood. I love the sense of place and time, and times past. I love the gradual reclaiming of human habitation and activity by nature. I love that in a 100, 200, 500 and 1000 years, the essence of the scene will remain the same, but the man made objects will erode, whilst nature exerts her ultimate authority.

So who’s right, me with my over analysis and poetic pretensions, or the lady with her no nonsense, straight forwardness? Well I guess we both are. Art is subjective after all!

Richard

 

Sony RX1rII in the RAW

To compress or to uncompress? That is the question.

Since I starting shooting with the RX1rII I’ve always had the format firmly set to uncompressed RAW on the (not unreasonable) assumption that though my memory cards might now hold only half the images, my disk drive is constantly full, and my post-processing time is twice as long, for an IQ gain, however marginal, it has to be worth it, right?

But for my upcoming trip to Nepal and 10 day trek to Everest Base Camp, I’ll need to squeeze as many shots as humanly possible onto each memory card and can’t waste valuable power reviewing, editing and deleting images. It was time to test the (not unreasonable) assumption and so I stole off into Leeds for 40 minutes of shooting, using both compressed and uncompressed formats.

The result? Absolutely no difference in IQ whatsoever. The only way I could tell which were which was the load times in Lightroom. The test might have been quick, and might have been unscientific, but for me it’s absolutely conclusive. I’ll head of to Nepal with the format set to compressed and happy that the resulting images might be half the size, but every bit the equal of their uncompressed brethren.

But it does leave one question, what the hell are those other 40 gigabytes doing?

_DSC0999
Uncompressed
_DSC1001
Compressed
_DSC1002
Compressed
_DSC1003
Uncompressed
_DSC1008
Uncompressed
_DSC1009
Compressed
_DSC1015
Uncompressed
_DSC1016
Compressed
_DSC1017
Uncompressed
_DSC1018
Compressed
_DSC1019
Compressed
_DSC1020
Uncompressed
_DSC1023
Compressed
_DSC1024
Uncompressed

 

 

Shooting notes

All shots were taken hand held in Aperture mode. Post processing adjustments in Lightroom were exactly the same  (copy settings) for each pair of images except when taking into account different shutter speeds and therefore exposures.

 

 

 

 

 

 

To the Isle of Harris, The Slow Way

“It’s the journey that counts, not the destination”.

_DSC0921

If your destination is the Isle of Harris in Scotland’s Outer Hebrides there’s good grounds to say sod the journey, catch a plane to Stornaway, and be sitting in the dunes of Luskentyre before you can say “Traigh an Taoibh Thuath”.

… but by taking the quick way you might just be missing out …

Over five days of travelling Polly’s Slow Way took us back to old favourites – Rannoch Moor, Glen Coe, Elgol, Sligachan, and Eilean Donan; and for us new discoveries – Glenfinnan & Loch Sheil, Arisaig, Isleornsay & the Quiraing on Skye. As is so often the case on our travels the highlight was a random, spur of the moment detour, to kill time before our ferry left for Skye. From Arisaig we took a single track road to Rhumach, discovering calm, sheltered, “tropical” bays, pebble beaches, rocky outcrops pushing into the sea, and views out to Eigg, Rum, and to the distant Cuillin on Skye. We had just a few minutes to sit by the shore and take in the views  before climbing back into the car, but we’ll be sure to return and stay for a while on our next slow journey up the West Coast.

Holiday snaps in order of discovery follow.

_DSC0520
Loch Shiel, Scotland
_DSC0546-Pano-Edit
Glenfinnan Viaduct, Scotland
_DSC0555
Loch Shiel, Scotland
_DSC0561
Rhumach with the Cuillins on the horizon, Scotland
_DSC0560
Rhumach, with Eigg & Rum, Scotland
_DSC0572
Rhumach Lobster Pots, Scotland
_DSC0592
Ornsay Lighthouse, Skye

 

_DSC0593
Beinn Na Caillich, Skye

 

_DSC0604
Elgol & the Cuillin, Skye
_DSC0623
Claigan Coral Beach, Skye
_DSC0921
Talbet, Isle of Harris
_DSC0936
The Black Cuillin, Skye
_DSC0944
Eilean Donan Castle, Scotland

 

Defeated by the Beaches of Harris

Wow, crossing from East to West on our journey from the ferry at Talbert to Northton on the A859 and suddenly there’s Luskentyre right in front of you, white sands, emerald sea,  a stunning introduction to the beaches of Harris.

Over the next six days I tried to capture just a hint, a smell, a touch of their beauty, but ultimately headed home defeated. Whether it was due to weather, or timing, or lack of creativity, or an unfamiliarity with the landscape, or lack of technique, I don’t know, but it was certainly not through a lack of inspiration.

But no photographic series on Harris would be complete without a shot of a beach so some feeble attempts and holiday snaps follow.

_DSC0707-Pano
The Teampall, Northton, Isle of Harris | Sony RX1rII
_DSC0781
Luskentyre, Isle of Harris | Sony RX1rII
_DSC0793
Luskentyre, Isle of Harris | Sony RX1rII
DP0Q1102
Scarista, Isle of Harris | Sigma DP0 Quattro
_DSC0766
Teampall, Northon, Isle of Harris | Sony RX1rII
_DSC0805
Luskentyre, Isle of Harris | Sony RX1rII
_SDI1103
Northton, Isle of Harris | Sigma DP1 Merrill
_DSC0899
Seilebost, Isle of Harris | Sony RX1rII
DP0Q1103
Scarista, Isle of Harris, Sigma DP0 Quattro

 

_DSC0721
Northon, Isle of Harris | Sony RX1rII

 

_DSC0914
Borve, Isle of Harris | Sony RX1rII

If you want to see some photos that do the place justice take a look at Ian Lawson’s Harris Tweed @ http://www.ianlawson.com/prints/outer-hebrides/ . Better still go along if Ian has another exhibition.

Shooting Notes

The shots above are taken with the Sony RX1rII or Sigma Merrill or Sigma Quattro cameras, post processed in Lightroom.

The Northton Jogs – Isle of Harris

Get up. Make cup of tea. Drink cup of tea. Shorts, trainers, t-shirt, hat on. Camera in rucksack. Rucksack on. Stretch. Down the track from the cottage to the Northton’s main street. Turn left. Past the houses. Past Croft 36, excellent buns. Past the Temple Cafe, excellent food. Past the lane to the beach. Through the gate. Onto the machair. Harassed by Redshanks protecting chicks.  Right. Onto the sands of Traigh an Taoibh Thuath. Aim toward the sea. Onto Scarista. Follow water’s edge out across the bay. Meet sand dunes. Find gap in fence and right onto the A859. Past grazing cattle. Round the corner. Up the hill. Turn right back onto Norton’s main street. Complete the loop. Stop to take photos whenever needed.

_DSC0724
Machair, Northton, Isle of Harris | Sony RX1rII
_DSC0647
Traigh an Taoibh Thuath, Northton, Isle of Harris | Sony RX1rII
_DSC0650
Looking North across the sands to the hills, Isle of Harris | Sony RX1rII
_DSC0653
Looking South back to Northton | Sony RX1rII
_DSC0654
Emerald sea, Scarista, Isle of Harris | Sony RX1rII
_DSC0668
The Dunes, Scarista, Isle of Harris | Sony RX1RII
_DSC0673
Grazing Time, Isle of Harris | Sony RXirII
_DSC0680
Northton, Isle of Harris | Sony RX1rII
_DSC0679
Ceapanhal, Northton, Isle of Harris | Sony RX1rII
_DSC0874-Pano
Northton, Isle of Harris | Sony RX1RII

Not the most conventional approach to photography I admit, and I’m unsure it will catch on, but you do cover some ground, it’s a great excuse to take break in the middle of a run, and it’s only possible because the Sony is so small and light!

http://www.richardjwalls.com

 

 

The Golden Road, Isle of Harris

Returning from Lewis in the North to Harris in the South, and to our base in Northton, we took the Golden Road, avoiding the fertile Machair and white beaches of the West coast in favour of the barren landscape of the East.

_DSC0846-Pano
Des Res with Boat, Isle of Harris | Sony RX1rII 

Down this coastline the land is unforgiving, a thin covering of earth icing over the bedrock lying inches below the surface. It may be beautiful but few people would chose to scratch a living here, but then few had a choice after the forced evictions of the Clearances.

_DSC0832
Red Tin Roof, Isle of Harris | Sony RX1rII

The single track strip of tarmac twisted around sheltered sea inlets, lochans full of water lilies,  grey rocky outcrops and abandoned crofts; driving required full concentration and focus – why do you always meet an oncoming vehicle on a blind bend?

_DSC0834
White House, Isle of Harris | Sony RX1rII 

As we wound slowly on the weather closed in, obscuring our view, and the rain tipped down as it only can on Scotland’s West Coast. A quick glance at the map and we couldn’t believe our lack of progress South, having driven what seemed many miles and for over an hour.

_DSC0839
Monet, Isle of Harris | Sony RX1rII 

With my mind tired after a full days driving we swapped seats. Polly drove and I gazed through the passenger window through the haze of rain at the passing landscape. It was the buildings that took my eye; signs of human habitation scattered down the coastline.

_DSC0831
Wooden Bridge, Isle of Skye | Sony RX1rII 

An old red telephone box, a long abandoned croft complete with decaying boat, a red tin roof, a wooden bridge crossing a brook, houses dotted along the coastline, the boat builders yard.

_DSC0843
Communication Centre, Isle of Harris | Sony RX1rII 

… And so every so often we stopped, and I took another photo, and ran back to the car to shelter from the rain.

_DSC0844
Seaworthy? Isle of Harris | Sony RX1rII

Looking at the images afterwards, the thing that’s striking is the buildings’ temporary nature; the total lack of impact on the landscape. If a giant bent down and lifted them away, the land would be what it was a thousand years ago, and what it will be in another thousand years.

_DSC0854
Boatbuilders Yard, Isle of Harris | Sony RX1rII 

The only thing left would be the road, a permanent scar down the East Coast, a permanent reminder people once made their home here.

Richard

 

A Room with a View – Isle of Harris

“I spent many hours and drove many miles, chasing the perfect scene and perfect light, only to find it was right there in front of me all along”.

Harry Resize-3
Room With a View Northton, Isle of Harris | Sony RX1rII 

During our six days on the Isle of Harris I fell in love with the view from our window. Past the fence that marked the boundary of the croft; over the rooftops of Northton, beyond the fertile machair and the lagoon and sands of Traigh an Taoibh Thuath, and out over the sea to the distant mountains that dotted the horizon.

Harry Resize
Machair, Northton, Harris | Sony RX1rII 

The scene was ever changing: every day, ever hour, every minute, natures rhythms offered a different picture. South Westerlies driving the weather from our back; the spur of bright, yellow, sand expanding and contracting with the tide; mountains clear as a bell one instant lost in mist in another; the hazy sunshine of midday transforming into the gloaming of midnight.

Harry Resize-2
The Gloaming, Northton, Harris | Sigma DP3 Merrill 

For six days the television remained unplugged, books left unread, music set to silent, games unplayed, our view offering all the entertainment we needed.

_DSC0913
Sunny Day, Northton, Isle of Harris | Sony RX1rII

 

_DSC0637
Bleak Day, Northton, Isle of Harris | Sony RX1rII
Harry Resize-4
Final Day Reflections | Sony RX1rII 

And on the sixth and final day we became a part of the scene, before heading for the ferry, to Skye, and onwards to home.

 

http://www.richardjwalls.com

A Final Camping Trip

I hate camping! In fact I detest it! Why anyone would want to camp in the UK is absolutely beyond me. When I was young and naive, I may have been duped by the adventure of it all, but I’m older now, and wiser, the victim of multiple, miserable, camping trips that have invariability involved: rain, midges, mud, showers with only two settings – scold or freeze – and zero sleep. Sod adventure, what’s wrong with civilisation!

_DSC0501
Lingmell, Piers Gill with Great Gable as the backdrop | Sont Rx1 rII | http://www.richarjwalls.com

 

So heaven only knows why I was stood in the middle of a sodden field, rain bouncing off my sodden hat, under attack from waves of sodden kamikaze midges, staring down at my sorry, sodden, excuse of a tent, which had disintegrated the instant it was pulled from its bag.

… And that would have been the end of the matter had not – at my moment of total abject despair – my co-campers Lynne and Brad turned up, bringing not one spare tent, but two! No chance now to duck and run. No way of  escaping the misery of it all.

_DSC0507
Piers Gill | Sony RX1 rII | http://www.richardjwalls.com

The reason I was stood, bedraggled, in a field, surrounded by crazy campers, was a late decision to walk up Scafell Pike, England’s highest peak, in preparation for higher and longer walks to come, and a desperate, last minute, search for accommodation that had proved fruitless. It was camp or nothing and I should have chosen nothing, but I didn’t. Idiot!

Wind the clock on 18 hours and at 1pm the next day we were stood on the summit of Scafell Pike, the air as still as I’ve known it, the sun breaking through, the horrors of camping a dull and distant memory. And with the majesty of the Lake District spread below us a quick change of plan was agreed and we descended down a different route to discover Piers Gill.

_DSC0514
Descending to Wasdale | Sont RX1 rII | http://www.richardjwalls.com

These moments of discovery, even within a familiar landscape, are the reason I head to the hills; a view I never realised existed revealing itself for the first time, for a moment it  almost made camping seem worthwhile … but only for a moment!

_DSC0518
Looking back up Wasdale | Sony RX1 RII | http://www.richardjwalls.com

Having a a camera at hand at those moments brings me neatly on to the Sony RX1 rII.  Tiny, light, solid as a rock, fantastic IQ, low noise, huge dynamic range; I’d carried it around all day without noticing; no need for a tripod, no need for multiple, heavy lenses, no need for a bag full of grad filters, no need for a carbon fibre camera strap.

They say the best camera is the one you have with you and I can’t disagree!

http://www.richardjwalls.com

 

Leeds Dock with the RX1Rii

Waking up at 5am to a promising sunrise, I finally got my act together and headed into work to take some images of Leeds Dock and Sky’s Shiny New Technology Campus.

The sunrise didn’t quite materialise but the quality of the early morning light combined with the stillness of the water made the early start worthwhile, whilst the results provided enough material to go completely over the top with Nik Efex Pro.

Click on the images for full size views, and expand to get the full effect of the panorama.

_DSC0164-Pano-Edit
@LeedsDock.WetPlate
_DSC0171-Pano-Edit
RoyalAmouries@LeedsDock.CaughtOnFilm

 

_DSC0173-Pano-EditRoyalArmouries@LeedsDock.Glow

_DSC0180-Edit
@LeedsDock.WithATwist
_DSC0197
Sky2@LeedsDock.B&W
_DSC0199
Sky1@LeedsDock.LowContrastSerenity
_DSC0198
Sky1@LeedsDock.LeadingLines

 

_DSC0185
Sky1@Leeds.Dock.SkyPortal

 

_DSC0205
Sky1@LeedsDock.VanishingPoint
_DSC0202
Sky1@LeedsDock.LockerLand
_DSC0200
@LeedsDock.FullyRusted
_DSC0194
SkyCampus@LeedsDock.XtremePano
_DSC0207
Sky3@LeedsDock.MyView

Shooting Notes

All images shot handheld using the Sony RX1rII, (heavily) post-processed in Lightroom and finished using Nik Efex Pro.

After Dark in London with the Sony Rx1rii

Last night I got a chance to try out the Sony RX1rII after dark. I had a hour or so max to scurry around with a tripod so apologies for the lack of creativity. Though the shots lack some artistry, in terms of the performance of the camera I’m impressed. Clean as a whistle and with a tremendous amount of flexibility in the raw files to pull out shadows.

_DSC0128
Walkie Talkie, London | Sony RX1rii | http://www.richardjwalls.com
_DSC0142
Tower Bridge, London | Sony RX1rii | http://www.richardjwalls.com
_DSC0130
Lloyds Building, London | Sony rx1rii | http://www.richardjwalls.com
_DSC0135
The Shard, London | Sony rx1rii | http://www.richardjwalls.com
_DSC0144-Pano
Tower Bridge, London | Sony rx1rii | http://www.richardjwalls.com
_DSC0129
Cheese Crater, London | Sony rx1rii | www.richardjwalls.com
_DSC0148
HMS Belfast, London | Sony rx1rii | http://www.richardjwalls.com

Shooting Notes

All shots on a tripod @ iso100, a variety of exposures / apertures, post processed to taste in Lightroom

 

 

 

The Journey North – Lofoten Post 5

I’m gradually catching up with posts of our Lofoten trip and this post takes us back in time to our  voyage onboard the MS Lofoten from Bergen to Bodo, with time to explore Alesund and Trondheim. The images are (just about) in the order taken.

SDIM0783
MS Lofoten | Sigma DP1 Merrill

 

SDIM0775-Pano
Alesund | Sigma DP1 Merrill (stitched)

 

DSC02658
Alesund | Sony RX1R MkII
DSC02660
Alesund | Sony RX1R MkII Panoramic Mode
SDIM0232
Alesund | Sigma SD1 Merrill
SDIM0228
Alesund | Sigma SD1 Merrill
SDIM0250
Leaving Alesund | Sigma SD1 Merrill
SDIM0257
Last Light | Sigma SD1 Merrill
SDIM0779
Trondheim | Sigma DP1 Merrill

The stop at Trondheim was particularly memorable but for the wrong reasons. Stopping to photograph the Old Bridge, a lens fell out of my sunglasses and we became distracted searching for the tiny screw that (should have) kept the lens in place and was now lost. Whether I left the camera there, or whether I lost it rushing back to the ship, I guess we’ll never know. What I do know is that captain refused to delay the sailing by the 20 minutes it would have taken to retrace my steps. It’s fair to say I was furious with myself and furious with the ships captain; a camera I’d bought specifically for the trip, only owned a couple of weeks, and costing an arm and a leg lost on day 3 of the trip! The next day our time in Bodo was spent in the police station reporting the loss!

SDIM0281
Lone House | Sigma SD1 Merrill
SDIM0294
Norwegian Coastline | Sigma SD1 Merrill

There’s a fair amount of camera shake in the above image, a consequence of the long lens, the ships engine and my poor technique, but I love the composition so it’s included in the blog.

DP3M0673.jpg
Ornes | Sigma DP3 Merrill
SDIM0380
Flight to Lofoten | Sigma SD1 Merrill

It was sunset as we took off from Bodo to fly the short journey to Leknes on Lofoten. The view as we left the Bodo was jaw dropping. The above shot, shot using the SD1 Merrill, at ISO800, was typical of the scenery.  Hopefully flying at midday on the return trip I’ll have a better chance to do the beauty of the landscape justice.

Shooting Notes

The shots above were taken with the Sigma SD1 Merrill, DP1 Merrill, DP3 Merrill and (the now lost) Sony RX1 RII.

 

Night Time at Sky 3 with the Sony RX1rII

This week I got to move into our stunning new building at Leeds Dock. It’s a cool workplace designed bottom up for the development teams, and with Sky 2 and the soon to open Sky 1 it demonstrates Sky’s commitment to building a world class technology campus in Leeds.

The building really comes alive when the sun goes down becoming a great subject to test the Sony RX1rII. Some quick snaps follow.

DSC02581

DSC02576

DSC02586

DSC02597

DSC02596

DSC02595

DSC02583

DSC02589

DSC02584

DSC02587

DSC02578

Shooting Notes

All images were shot at ISO200, aperture priority, using a tripod, and post processed in Lightroom.

Lofoten – Post 1, 4 Days & Counting

After six months of anticipation it’s now just four days and counting before we begin our journey to the Lofoten Islands; bags are packed, final purchases made, last minute preparations underway.

B_UjAr2VIAAhPCF

Our journey takes us by air from Manchester to Bergen, where we catch the MS Lofoten to head North, hugging the Norwegian coastline for three days and nights until we reach Bodo. There we say goodbye to the boat and make the short hop by air to Leknes, an hour’s drive from our base at Reine.

side-large

Though Lofoten is North of the 66th Parallel the warming effect of the Gulf Stream keeps the deep freeze of the Arctic at bay. Even so  our preparation has been pre-occupied by the question of warmth if temperatures plummet, and how to keep upright on the ice and snow; winter boots, smocks, crampons, thermals, fleeces, hats, gloves, fill our Rolling Thunder holdalls.

norway & sweden & finland & russia for web

Photography wise the trip is pure Foveon with one notable exception. In the bag is a Sigma DP1 & DP3 Merrill, a DP0 Quattro, an SD1 paired with an 18-300mm lens (both kindly loaned by Sigma for the trip) and a shiny new Sony RX1rII. When the sun’s above the horizon I plan point the Merrill’s and Quattro’s at the mountains, lakes and coastline. If we spot a whale offshore I’ll reach for the SD1. The Sony I plan to use as a general purpose travel camera, and, when the sun goes down, to take star trails and the Northern lights (if we’re lucky enough to see them).

If you want to be inspired by Lofoten the very best place to start is Cody Duncan’s website http://www.68north.com, a veritable mine of information alongside a set of beautiful inspiring images.

Now on with the packing!

What’s in The Bag

  • Sigma SD1
  • Sigma DP1 Merrill
  • Sigma DP3 Merrill
  • Sigma DP0 Quattro
  • Sigma 18-300mm
  • Sigma Close Up Lens
  • Sony RX1rII
  • B&W & Hayes ND filters
  • Induro CLT103 Tripod
  • Many spare batteries & memory cards
  • Red torch for night-time use
  • Silcon gel bags for removing moisture
  • Freezer bags for bringing cameras from cold to warm temperatures

 

Saltburn with the Sony RX1R Mark II

A first trip out with the Sony RX1R Mark II to Saltburn on the Cleveland Coast. All shots were hand held except the second, classic, shot of the pier, which was balanced on a railing (my tripod is stowed away ready for our Norway adventures). All have been treated in Lightroom, pulling back highlights and lightening shadows. First impressions are that this is a superb little camera.

http://www.richardjwalls.com

DSC02476
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02526
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02499
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02514
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02492
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02494
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02490
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02477
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02478
Saltburn | Sony RX1rII | http://www.richardjwalls.com
DSC02484
Saltburn | Sony RX1rII | http://www.richardjwalls.com