PLEASE NOTE: In a change of plan John will now be at the Old School on Sunday 15th July rather than Saturday 9th.
Running between Saturday 30th June & Sunday 29th July the Old School is proud to showcase the wonderful line and watercolour drawings of Yorkshire artist John Harrison in our Hartlake Gallery.
John’s work is featured each month in the Dalesman Magazine and last year John took part in Sky TV’s Landscape Artist of the Year.
The exhibition features over 20 original paintings, many of which depict our very own Muker and the surrounding villages and countryside, will take us Up Hill & Down Dale, with a short detour to Yorkshire’s stunning coastal villages.
John will be at the Old School on on Sunday 15th July to talk about his work and inspiration, don’t miss it!
The tide is receding at the The Yorkshire Coast & Sea Exhibition as it enters its final two weeks, and we’ve put up new work to take us through to the end of the exhibition including: Whitby Snowstorm by Paul Berriff (above), Filey Beach by John Harrison, Staithes Harbour by John Wood, and Scarborough Spa and Whitby Pier by Richard and Janet Burdon.
We’re really pleased to announce a late entry to our Yorkshire Coast & Sea exhibition, in the form of the hand-printed linocuts and collages of Denise Burden.
Denise originally hales from Bradford where she studied art before gaining a First Class (Hons) Degree from the Norwich School of Art. Luckily for us Denise now lives in the neighbouring dale of Wensleydale, taking inspiration from the stunning landscape around her.
Whether in colour, or simple black and white, Denise’s hand-printed linocuts are wonderful, timeless examples of this form of printmaking, to me reminiscent of the advertising posters of the 1920’s and 1930’s, the golden age of railway and airline travel.
As a local artist we plan to showcase Denise’s landscapes in our gallery. More on this soon …
Our final (final) post profiling artists in the Yorkshire Coast & Sea exhibition focusses on Drawn in Yorkshire’s John Harrison, whose style will be familiar to all those who visit our small (but perfectly formed) gallery in upper Swaledale and to the tens of thousands of readers of the Dalesman Magazine that John features in each month.
Down the Hill into the Village | John Harrison
John’s line and wash style perfectly complements the houses and cottages that huddle together for protection in the villages dotting our stunning coastline, and a superbly judged balance of colour and simple line drawing (as exemplified by the featured image, Shadow on Church Street) allows the viewers imagination to fill in the gaps and complete the picture.
At the Old School Muker we’re very pleased to showcase John’s paintings in our main gallery and in the Yorkshire’s Coast & Sea exhibition, and extremely proud to be hosting a solo exhibition of John’s work in July 2018.
The Yorkshire’s Coast & Sea exhibition starts on Saturday and today we profile our final two artists beginning with Hebdon Bridge’s Kate Lycett.
Kate’s limited edition prints, hand embellished with gold leaf and thread, literately shine out from our walls, sparkling in the changing light, and kate’s passion for textile design is embedded into each scene, bringing warmth, pattern and colour, to the Yorkshire coasts most iconic towns and villages. Fabulous!
John Woods oil paintings have been a fixture at the Old School for many years, with another of his original works, Swaledale Valley, just having found its way across the Atlantic to a home in USA.
Yorkshire’s Coast & Sea has provided a chance to showcase John’s coastal work with Whitby (featured image) and Runswick Bay (below) just two examples of his superbly executed oils, that provide yet another unique take on our wonderful coastline.
For the Yorkshire’s Coast & Sea exhibition I’ve had three of my favourite Yorkshire Coast photographs printed on HD aluminium and framed: Saltwick Bay, Saltburn Pier and Broken Ladder, Spurn Point, each in a limited edition series of 20.
Saltwick Bay (featured image above) was taken ten minutes after a mini cliff collapse from which we narrowly escaped (with a mild pebble-dashing) after misjudging the tide. A couple watching from further up the beach told us they’d thought we’d had it, and as they chatted with Polly I wandered off and took the shot.
Saltburn Pier has a special place in the gallery. After a wonderful jumble of coincidences and connections it was the first picture we sold (to Kathy) on our first day of opening, perhaps a sign that fate might smile down upon us in our new venture.
Spurn Point is a place lodged in my earliest memories, my mother being a keen birdwatcher. At its tip is the pier for the Spurn lifeboat station and next to the pier a derelict wooden structure. In Broken Ladder, taken some years ago, a section of ladder hangs precariously, caught in a delicate balancing act, struggling to cross the void. How long it managed to defy the elements I don’t know, but it’s long since disappeared, lost to the wind and waves.